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Important Words in Opera
Glossary:
Act- a section of the opera that is
then divided into scenes.
Aria- means “air” in Italian. This
is a piece of music written for a one singer
(soloist), usually
with instrumental accompaniment.
Aside- a secret comment from an
actor directly to the audience that the other
characters cannot
hear.
Baritone- the middle singing range
of the male voice. Gregory Dahl (Belcore) is an
example of
this vocal range.
Bass- the lowest singing range of
the male voice. Terry Hodges (Dr. Dulcamara) is an
example
of this vocal range.
Basso buffo (Italian)- a bass
singer who specializes in comic characters.
Basso profundo (Italian)- the most
serious bass voice.
Baton- short stick that the
conductor uses to lead the orchestra.
Bel Canto- Italian phrase literally
meaning “beautiful singing.” A traditional Italian
style of
singing emphasizing tone, phrasing, coloratura
passages, and technique. Also refers to the
operas written in this style.
Blocking- directions given to the
performers for movement on stage.
Bravo (Italian)- a form of
appreciation shouted by audience members at the end
of a
particularly pleasing performance. Technically,
Bravo refers to a male performer, Brava refers
to a female performer and Bravi refers to many
performers.
Buffo- from the Italian for
“buffoon.” A singer of comic roles (basso-buffo) or
a comic opera
(opera-buffa.)
Cadenza- a passage of singing,
often at the end of an aria, which shows off the
singer's vocal
ability.
Castrato (Italian)- a castrated
male prized for his high singing voice.
Choreographer- the person who
designs the steps of a dance.
Chorus- a group of singers of all
vocal ranges, singing together to support the vocal
leads.
Classical- the period in music,
which comes after the Baroque and before the
Romantic,
roughly from the birth of Mozart to shortly after
the death of Beethoven. It represents the
greatest standardization in orchestral form and
tonality.
Coloratura- elaborate ornamentation
of music written for a singer using many fast notes
and
trills. Also used to describe a singer who sings
this type of music.
Composer- the individual who writes
all the music for both voice and instrument.
Comprimario (Italian)- a nineteenth
century term referring to secondary or supporting
roles
such as confidantes, messengers, and matchmakers.
Contralto- the lowest female voice
range.
Conductor- the person responsible
for the musical interpretation and coordination of
the
performance. The conductor controls tempo, dynamic
level and balance between the singers
and orchestra. You will see this person standing in
the orchestra pit conducting the musicians
and the singers. The conductor for The Elixir of
Love is Tadeusz Biernacki.
Countertenor- a male singer with
the highest male voice range, generally singing
within the
female contralto or mezzo soprano range.
Crescendo- a build in the volume or
dynamic of the music.
Cue- a signal to enter or exit from
the stage, to move or to change lighting or scenery;
or a signal
given by the conductor to the musicians.
Curtain Call- occurs at the end of
the performance when all the cast members and the
conductor take bows. This can occur in front of the
curtain or on the open stage.
Designer- a production can have two
or three designers: a lighting designer, a costume
designer, a set designer, or someone who is both
costume and set designer. They work closely
with the stage director to give the production a
distinctive look.
Diva- literally, “goddess” in
Italian. An important female opera star. The
masculine form is
divo.
Dress Rehearsal- the final
rehearsal before opening night, includes costumes,
lights, makeup,
etc. Sometimes it is necessary to stop for
adjustments, but an attempt is made to make it as
much like a regular performance as possible.
Duet- music that is written for two
people to sing together.
Encore- a piece that is performed
after the last scheduled piece of a concert. An
encore is
usually performed because the audience wants to hear
more music even though the concert is
over.
Ensemble- a part of the opera
written for a group of two or more singers. This may
or may not
include the chorus.
Falsetto- the upper part of a voice
in which the vocal cords do not vibrate completely.
Usually
used by males to imitate a female voice.
Finale- the last musical number of
an opera or an act.
Grand Opera- spectacular French
opera of the Romantic period, lavishly staged, with
a
historically-based plot, a huge cast, an
unusually-large orchestra, and ballet. It also
refers to
opera without spoken dialogue.
Helden- German prefix meaning
“heroic”. Can also apply to other voices, but
usually used in
“heldentenor.”
House- the auditorium and front of
the theatre excluding the stage and backstage areas.
Impresario– the proprietor,
manager, or conductor of an opera or concert
company; one who
puts on or sponsors an entertainment; manager,
producer.
Interlude- a short piece of
instrumental music played between scenes and acts.
Intermission- a break between acts
of an opera. The lights go on and the audience is
free to
move around. The Elixir of Love has one 20 minute
intermission
Librettist- the writer of the
opera’s text. The librettist for The Elixir of Love
is Felice Romani.
Libretto- Italian for “little
book.” It is the text or story of the opera.
Lyric- used to describe a light to
medium weight voice with an innocent quality,
capable of both
sustained, forceful singing and delicate effects.
Maestro- means “master” in Italian.
Used as a courtesy title for the conductor (male or
female).
Mark- to sing, but not at full
voice. A full-length opera is very hard on a
singer’s voice so most
performers mark during rehearsals. During the Dress
Rehearsal singers try to sing at full voice
for part if not all of the rehearsal.
Mezzo-soprano- the middle singing
range for a female voice.
Motif or Leitmotif- a recurring
musical theme used to identify an emotion, person,
place, or
object.
Opera- a dramatic presentation
which is set to music. Almost all of it is sung, and
the orchestra
is an equal partner with the singers. Like a play,
an opera is acted on stage with costumes,
scenery, makeup, etc. Opera is the plural form of
the Latin word opus, which means “work.”
Opera buffa (Italian)- an opera
about ordinary people, usually, but not always
comic. First
developed in the eighteenth century.
Opera seria (Italian)- a serious
opera. The usual characters are gods and goddesses,
or ancient
heroes.
Opera-comique (French) or Singspeil (German)-
a form of opera which contains spoken
dialogue.
Operetta- lighthearted opera with
spoken dialogue, such as a musical.
Orchestra- an ensemble, led by a
conductor, that is comprised of string, woodwind,
brass and
percussion instruments.
Orchestra pit- sunken area in front
of the stage where the orchestra sits.
Overture- an orchestral
introduction to the opera played before the curtain
rises. Usually
longer than a prelude and can be played as a
separate piece.
Pitch- how high or low a note
sounds.
Prelude- a short introduction that leads into an act
without pause.
Prima Donna- literally, “first
lady” in Italian. The leading woman in an opera.
Because of the
way some of them behaved in the past, it often
refers to someone who is acting in a superior and
demanding fashion. The term for a leading man is
primo uomo.
Principal- a major singing role, or
the singer who performs such a role.
Production- the combination of sets, costumes,
props, and lights etc.
Props- objects carried or used on
stage by the performers.
Proscenium- the front opening of
the stage which frames the action.
Quartet- four singers or the music
that is written for four singers. Also quintet,
sextet, etc
Raked Stage- a stage that slants
downwards towards the audience.
Recitative- lines of dialogue that
are sung, usually with no recognizable melody. It is
used to
advance the plot.
Rehearsal- a working session in
which the singers prepare for public performance.
Score- the written music of an opera or other
musical work.
Serenade- a piece of music
honouring someone or something, an extension of the
traditional
performance of a lover beneath the window of his
mistress.
Soprano- the highest range of the
female singing voice. Nikki Einfeld (Adina) is an
example of
this vocal range.
Soubrette (French)- pert young
female character with a light soprano voice.
Spinto (Italian)- a lyric voice
that has the power and incisiveness for dramatic
climaxes.
Stage Areas- refers to the various
sections of the stage as seen by those on stage. See
diagram
in Workshop #1.
Stage Director- the person in
charge of the action on stage. He or she shows the
singers,
chorus and cast where and when to move and helps
them create their characters. The stage
director develops a concept for how the entire
performance should look and feel. He or she
works closely with the stage managers, lighting
designer, set designers, costume designer and
wig and make-up artists to make his or her vision
into reality.
Stage Manager- the person who
coordinates and manages elements of the performance.
The
stage manager for The Elixir of Love is Jacqueline
Dawson.
Supernumeraries (Supers)- appear on
stage in costume in non-singing and usually,
nonspeaking
roles.
Surtitles- the English translations
of the opera’s language, in this production Italian,
that are
projected above the stage during a performance to
help the audience follow the story. Much like
subtitles in a foreign film.
Synopsis- a short summary of the
story of the opera.
Tableau- occurs at the end of a scene or act, when
all cast members on stage freeze in position
and remain that way until the curtain closes. It
looks as though that moment has been captured
in a photograph.
Tempo- speed of the music.
Tenor- the highest natural adult male voice. Stuart
Howe (Nemorino) is an example of this
kind of singing voice.
Trill- very quick alternation
between two adjacent notes. See coloratura.
Trio- an ensemble of three singers
or the music that is written for three singers.
Trouser role-the role of an adolescent boy or young
man, written for and sung by a woman,
often a mezzo-soprano. Also known as a pants role.
Verismo- describes a realistic
style of opera that started in Italy at the end of
the 19th century.
©2000-2007
Rimrock Opera Company. All rights
reserved
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